Sylvia Plath Store

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Pulitzer Prize winner Sylvia Plath’s complete poetic works, edited and introduced by Ted Hughes.

By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not...

A representative selection of verse by the Pulitzer Prize-winning writer who left in the wake of her personal tragedy a legacy of poems that combine terrifying intensity and dazzling artistry. With their brutally frank self-exposure and emotional immediacy, Plath's poems, from "Lady Lazarus" to "Daddy," have had an enduring influence on contemporary poetry.
With this startling, exhilarating book of poems, which was first published in 1960, Sylvia Plath burst into literature with spectacular force. In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to mov...
In this lively and accessible introduction to Sylvia Plath's writing, Bassnett offers a balanced view of one of the finest modern poets. Bassnett argues that there can never be any definitive version of the Plath story, but from close reading of the texts she left behind, readers can discover the excitement of her diverse work. The second edition includes three new chapters and ends with a reading of Ted Hughes' Birthday Letters.

Sylvia Plath's famous collection, as she intended it.

When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a r...

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under -- maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

This P.S. edition features an extra 16 pages of insigh...

A major literary event--the complete, uncensored journals of Sylvia Plath, published in their entirety for the first time.
Sylvia Plath's journals were originally published in 1982 in a heavily abridged version authorized by Plath's husband, Ted Hughes. This new edition is an exact and complete transcription of the diaries Plath kept during the last twelve years of her life. Sixty percent of the book is material that has never before been made public, more fully revealing the intensity of the poet's personal and literary struggles, and providing fresh insight into both her frequent desperation ...
Sylvia Plath's second volume of poetry, Ariel, published posthumously in 1965, shocked and provoked reviewers with its unexpected intensity and power, and the publication of her Collected Poems in 1981 confirmed her as a poet of stature and maturity. Beginning with reviews of her initial collection, The Colossus, the reader is clearly guided through the profusion of critical material that has variously described Plath as feminine and feminist, personal and political, an American modernist and an English Romantic. The guide includes critical assessments from Robert Lowell, Sandra M. Gilbert, an...

Sylvia Plath's correspondence, addressed chiefly to her mother, from her time at Smith College in the early 1950s up to her suicide in London in February 1963. In addition to her capacity for domestic and writerly happiness, these letters also hint at her potential for deep despair.

Sylvia Plath began keeping a diary as a young child. By the time she was at Smith College, when this book begins, she had settled into a nearly daily routine with her journal, which was also a sourcebook for her writing. Plath once called her journal her “Sargasso,” her repository of imagination, “a litany of dreams, directives, and imperatives,” and in fact these pages contain the germs of most of her work. Plath’s ambitions as a writer were urgent and ultimately all-consuming, requiring of her a heat, a fantastic chaos, even a violence that burned straight through her. The intensity of this ...

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